Dostęp otwarty
CODES OF ART&SCIENCE: CULTURAL MEANINGS AND IDEOLOGY OF THE AESTHETICS VERSUS USER EXPERIENCE FIELD RESEARCH
Michał DERDA-NOWAKOWSKI1
Philosophying on Art And Aesthetics
Język publikacji: angielski
Artykuł w czasopiśmie
Transformacje Nr 3-4 (90-91) 2016, Data publikacji: 20 listopada 2016r.
Słowa kluczowe: Interactive art, art and science ideology, third culture, user experience, ethnography of interactive systems, digital field research, art mythologies, interspecies communication, sources of knowledge
Streszczenie The contemporary reflection on interactive art becomes insufficient when a researcher is not able to test an artwork and check their theses in cognitive process. Exploring interactive art should therefore include user experience as the most important element of research process. Thus, the significance of researching the interactivity in the field of art&science is of particular importance. There can be observed problems of ideology and hegemony of science which becomes the key tool for understanding artworks. Convincing recipients about the scientific character of exploration of problems expressed in an artwork has often the dimension of pop-cultural understanding of science, using myths and specific prestidigitator tricks with scientific staffage.
Department of Media and Audiovisual Culture, Chair of Electronic Media, Institute of Contemporary Culture, University of Łódź, Poland
E-mail: derda-nowakowski@uni.lodz.pl